Audio News

This weeks headline news...

Lake expand LM Series with launch of LM 44 Digital Audio System Processor

Lake Processing introduces a brand new standalone system processor, the LM 44 - being unveiled at the PLASA show in London.

The LM 44 is a powerful, full-featured digital audio processor based on the highly acclaimed Lake Processing technology, which builds on the run-away success of the LM 26, and marking another major step for the Lake brand under the stewardship of Sweden's Lab.gruppen.

Identical in many respects to the LM 26 Digital Audio Loudspeaker Processor, the LM 44 is distinguished primarily by a different input/output configuration. The LM 44 provides four analog input and four analog outputs, in contrast to the LM 26's 2-in/6-out. In addition, the LM 44 accommodates 8-in/8-out AES3 and 4-in/8-out Dante digital audio transport. The LM 44 benefits from the latest implementation of Lake's iconic 'Mesa EQ' configuration, utilising 4 Mesa modules, each with an independent input mixer and output signal processing chain.

With this configuration, the LM 44 is ideally suited for a wider number of different FOH applications, including as a mix-matrix and full system EQ - sitting between a mixer and virtually any high-end performance loudspeaker system - switching between consoles on large events, inserted EQ for monitor systems, FOH to stage digital transmission, line driver for self-powered systems, and as a Dante break-in/break-out box.

With its flexible 4 × 4 input configuration, one or more LM 44 units can replace the now-discontinued Dolby Lake Processor in most applications. It also offers a cost-effective, scalable alternative to other larger and more expensive processors in situations when only a 4 x 4 analog I/O configuration (or multiples of this) is required.

Additionally, LM 44 can be operated in Contour mode configuration (two contour modules) allowing for utilisation as a loudspeaker crossover processor, much like the intended operation of LM 26. Inputs that are not routed to the processing modules (in each mode) may be passed through to the output router. As with the LM 26, all three signal types - Dante, AES and analog - are maintained simultaneously, with user-prioritised automatic failover and dual redundancy, eliminating single point of failure.

The LM 44 integrates fully into all existing Lake system inventories, including PLM Series and LM 26, as well as with Dolby Lake Processors and all other legacy Lake devices - all controlled together via Lake Controller software, providing unrivalled flexibility and ease of use for existing Lake users.

Key LM 44 Features Include:

• 1U chassis

• Universal power supply with lockable IEC

• Mesa Mode or Contour Mode operation

• 4-in / 4-out analog with Iso-Float™ ground isolation on inputs

• Raised Cosine Equalization™

• Linear phase and Classic crossovers

• LimiterMax™ peak and RMS limiters

• Gigabit dual redundant Dante™ by Audinate® networking

• 24-bit / 96 kHz A/D and D/A conversion

• 32-bit floating point internal data path

• Full control via new version of Lake Controller software

• Software configurable GPIO

LM 44 will be launched at PLASA 2011 in London and will be available to ship immediately.

Visit Lake on Stand C14.

www.lakeprocessing.com

AC-ET Showcases New Innovations at PLASA 2011

A.C. Entertainment Technologies (AC-ET) Ltd., a leading one-stop provider of cutting-edge new and used professional equipment to the entertainment industry, showcases a selection of lighting, audio, rigging and video solutions available from its vast range of premium brands on Stand 1-E10, Hall 1 at PLASA 2011.

Teams from all of AC-ET's specialist product divisions will be there to discuss the massive multi-million pound stockholding of over 200 leading brands available from AC-ET's High Wycombe and Leeds offices for worldwide dispatch to over 80 countries - as well as in-house filter and cable manufacturing facilities and wide range of consumables - backed up by an emergency evening and weekend delivery service.

The A.C. Lighting division will showcase the new GLP Impression Wash One and Spot One high powered LED spot and washlight moving heads. The latest moving lights available from top brands Clay Paky, Martin Professional, Robe lighting and VARI*LITE will also be on display, plus a selection of the new PixelRange series, including the new PixelPar, QPar and SmartLine LED fixtures. Examples from the wide Spotlight theatrical and architectural ranges, along with Manfrotto stands, will also be on display. The latest Chroma-Q™ LED fixtures and Jands Vista range running the new v2 software will also be featured on the stand.

The A.C. Audio division will showcase the latest specialist loudspeakers from UK manufacturer Traction Sound - for which it has just become a sub-distributor. Traction Sound's SDS6i-P and SDS12i-P powered loudspeakers, and the BP12i-P 12 inch and BR18-P 18 inch powered bass bins will be prominent on the stand. Shure and Sennheiser's cutting-edge wireless microphone and IEM systems are highlighted - very relevant with the imminent 'digital switchover' in 2012. Professional digital mixing consoles available from Soundcraft and Yamaha will also be on show, along with a wide selection of Denon solid state recorders, top audio system processing and control equipment from BSS and examples of Aviom personal monitoring technology.

The A.C. Rigging division will be showcasing BGV-C1 chain hoist systems featuring hoists from Columbus McKinnon alongside state of the art controllers from Fulling and Partner, all of which have full TUV approval. Trussing systems from Litec will include MyT, a super high load truss constructed completely from bolted components, and the latest evolution of their most popular truss range, QX30AC. The A.C. Rigging division will also be showing the load monitoring system innovations from Broad Weigh and Kinesys, and a wide range of PPE and working at height equipment and rigging hardware.

The A.C. Video division will demonstrate the latest digital media servers from Green Hippo. The lineup facilitates a wide range of creative visual requirements from entry level to full HD systems including the cost-effective Green Hippo GrassHopper, now running with a beta version of the 3.1 software. The Einklang Visuals VJ Machine is featured - an automatic music visualisation system for numerous applications from clubs and bars to concerts and events. Also showing is the Christie HD10K-M, a flexible, 3-chip 1080 HD DLP digital projector.

For the latest AC-ET show news, product launches and events before and during PLASA 2011, please follow the company on www.facebook.com/ACEntertainmentTechnologies or www.twitter.com/acenttech.

PLASA 2011 Stand 1-E10

12.09.2011

Midas expands PRO range with new PRO2 and PRO2C

Midas has unveiled the latest additions to its PRO Series of digital consoles, the Midas PRO2 and PRO2C live audio systems, at PLASA 2011. The PRO2/PRO2C takes the audio quality, performance and values of the top-end Midas XL8, and makes them available at a price point well below the general-purpose mixing console average, states the company.

Despite being the smallest and least expensive Midas digital consoles, the PRO2 and PRO2C represent a quantum leap forward for digital mixing, both in technology and concept. Essentially the same console, the PRO2C has eight fewer input faders and the smaller frame, at just 750mm by 850mm. Both consoles share the same high quality components and finish as the rest of the PRO Series, including the Alex Cooper-designed mic preamps, A-D converters, and daylight-viewable screens. This offers a reassuring continuity and provides extreme functionality and sound quality in a vastly reduced footprint.

The PRO2 features three modes of channel navigation: FOH Normal, MON Normal and Advanced, allowing engineers to easily and efficiently mix a large number of inputs on a very compact control surface. Putting a PRO2/ PRO2C into Advanced navigation mode enables one of its greatest innovations: MCA (Master Control Association) groups. These operate in a similar way to the established VCA (Variable Control Association) groups, but are specific to the selected bus. When the PRO2/PRO2C is in Advanced navigation mode with MCA navigation engaged, the MCA faders control the contributions of their members only to the currently selected bus. When combined with the 'hide unassigned channels' feature, this is a unique and powerful mixing tool, which, says Midas, places the PRO2/PRO2C in a league of its own for innovation and usability.

As the PRO2s/PRO2Cs can be operated in a number of different ways, they come loaded with console templates to allow progressive exploration of the new navigation concepts. In Normal mode, operation of the PRO2/PRO2C is similar to many other digital consoles, allowing operators to work as they are accustomed to. The Advanced navigation features can be implemented as the operator becomes familiar with the console. All Midas digital console showfiles are compatible with all Midas digital consoles, allowing a show written on a PR02/PRO2C to run on a PR03, PRO6, PRO9, XL8 and vice versa.

PRO2/PRO2C features are headlined by 56 mic/line inputs with Midas mic preamps; 64 input channels; 32 analogue outputs (including 2 stereo local monitor outputs); 2 AES3 outputs; 2 AES3 inputs; 27 sample-synchronous, phase-coherent buses; 6 stereo FX engines; up to 28 Klark Teknik DN370 31-band Graphic EQs; 8 VCA (Variable Control Association) groups; 6 POPulation groups; 192 MCA (Master Control Association) groups; 48 x 16 x 100m digital snake included.

The Midas PRO2/PRO2C standard system consists of a control surface and one 5U DL251 19" rack I/O unit, connected by a networked audio and data system. The network carries both proprietary control data and open architecture AES50 digital audio, and uses standard CAT-5E or CAT-6 cabling and connectors. PR02/PR02C is network-compatible with all other Midas digital systems and I/O devices.

PLASA 2011 1-F19

Ohm shows BootiQue all-in-one BGM system

Describing it as 'the ultimate background music tool", Ohm is showing its BootiQue all in one background music system at PLASA 2011.

The BootiQue sub, says Ohm, holds all the tricks, providing an arsenal of inputs including RCA (Phono), iPod (line in jack) and a USB port. More than one BootiQue system can be linked together, creating zones using the RCA link. The onboard three-channel amplifier powers the 10" bass driver and all eight satellites, making this system a true all in one solution.

Worried about fire regulations? A fire alarm mute connector ensures compliance with regulations for peace of mind. Independent controls are provided for master, bass and mid high volume parameters, enabling the right balance of sound to be achieved throughout a venue. The rear control panel includes essential functions such as ground lift, polarity reverse, input gain, sub/sat EQ and auto power off switch. This setting will turn the entire system off if no audio is detected. The venue can be closed up for the day and the audio player stopped in standby mode. On reopening and connecting the audio player, the system will turn itself back on again. For added safety, a convenient off switch is provided on the remote faceplate, which can be located anywhere in a room.

To add more versatility to the package, the remote face plate (connected to the sub via CAT-5) can be placed anywhere in the venue, combining all inputs on the rear of the subwoofer to the chosen location. Control of the system is enhanced by the remote control which boasts an array of functions such as play, pause, track toggle, EQ selection from six presets, input selector, volume and on/off control. The IR sensor on the face plate allows seamless coverage for the remote control within the given zone.

The BootiQue system is completed by up to eight high gloss piano black or white satellite speakers, small 140 mm cubes, making them both discrete and stylish. This number of satellite speakers ensures even coverage every corner of a venue with high quality sound. The system has been designed to compliment the most sophisticated of interiors and, as its name suggests, it is ideal for distributed sound in boutiques, bars, lounge areas, foyers and home cinema.

PLASA 2011 1-J10

Lab.gruppen breaks new ground with energy-efficient E Series.

UK - Leading pro-audio brand Lab.gruppen is delighted to announce the launch of an innovative 1U power amplifier range developed specifically for the installation market.

Lab.gruppen's compact and ultra-efficient E Series of power amplifiers offers traditional Lab.gruppen performance to a market highly concerned with spiralling global energy prices and environmental pressures.

The E Series provides ample power reserves with amazingly low power consumption, therefore reducing the total cost of ownership below that of conventional designs. E Series utilizes much of the unique design philosophy and energy-efficient concepts debuted in the Swedish company's flagship PLM 20000Q touring amplifier, but here deployed in a 1U, install-centric platform.

The new range draws on over three decades of tour-honed design and manufacturing expertise to deliver a unique combination of performance, rock-solid reliability and energy-efficiency. Nevertheless, pricing will be highly competitive.

The E Series comprises three two-channel power amplifiers, all incorporating Lab.gruppen's IDEEA (IntelliDrive Energy Efficient Amplifier) technologies. All are housed in 1U cabinets, weigh less than 5 kg (11 pounds), and feature universal power supplies for operation anywhere in the world.

Nominal output power ratings per channel (@ 4 ohms or 70 V) are 600 W, 400 W, and 200 W for, respectively, the E 12:2, E 8:2, and E 4:2. However, significantly higher per-channel outputs are possible with asymmetrical loading and proper setting of Lab.gruppen's proprietary Rail Sensing Limiter (RSL).

Certified as Energy Star 2.1 compliant, E Series power amplifiers are extraordinarily efficient both in terms of net operating efficiency and typical current draw. In this respect, the power-to-current-draw ratio for burst signals with 1/8th average power is 400 W output for 1 A of line current at 120 V mains - a performance characteristic matched only by the PLM 20000Q. Reduced power consumption in both operational and non-operational cycles results in lower long-term cost of ownership - a key 'sellable' advantage for contractors and a tangible benefit for end-users. Control via third-party systems is enabled via GPIO, and build quality is robust in the Lab.gruppen tradition.

"E Series offers the Lab.gruppen hallmarks of reliability, performance and ease of use at a much more accessible price point for the install market," said Klas Dalbjorn, Product Research Manager for Lab.gruppen. "The energy efficient performance made possible by our new IDEEA technologies means that overall cost of ownership, including lifetime energy consumption, is considerably lower than other products aimed at this market, providing contractors with real, bottom line benefits to their customers and client base."

Heralding New Technologies

E Series incorporates a number of brand new technological developments from Lab.gruppen, including Rail Sensing Limiter (RSL), a two position switch to allow selection of either Hi-Z (100 V all models) or Lo-Z (40 V - 69.3 V model dependent) as output thresholds. The RSL switch circuit senses rail voltage and optimizes output for instantaneous load conditions. It also allows for continued operation with fluctuating mains down to below 60 V AC. RSL setting also configures outputs for asymmetric loading. As an example, this allows users to achieve optimum performance and efficiency with a small subwoofer connected to one channel and a 70 V distributed system (such as ceiling loudspeakers) to the other. Overall, this makes E Series extremely flexible for systems designers, allowing a single 1U device to fulfil multiple roles in a system, whereas with conventional amplifiers separate units would be required.

A High Headroom Universal Power Supply allows for a higher storage capacity, thus preventing excessive draw on the mains inlet during repeated peak bursts and maintaining extra headroom on the rails for longer sustained maximum power output.

The Patented Class D Output Stage is inherently bridged using proprietary topology, allowing up to double rated output on one channel when no load is connected to the other channel.

E Series is Energy Star 2.1 compliant, the first 'professional-grade' amplifier capable of these output levels to be so certified. This is an important advantage for installations where energy efficiency standards are critical, such as government and local authority tenders. Each model features an automatic power scheme, which means it turns on with signal present and goes into standby mode automatically after 20 minutes of no signal. GPIO facilitates power on/off state via third-party control systems.

Key E Series Features include:

• 1U cabinet for high power- and channel-density

• Each channel can be individually set for either lo-Z (2-16 ohm) or hi-Z (70 V distributed) systems

• Asymmetric loading allows "mixing and matching" of loads with different impedances to maximize both overall system efficiency and inventory utilization

• Single temperature-controlled fan for efficient cooling

• Comprehensive circuit protection and fault indication

• Inputs and outputs on detachable Phoenix-type screw terminals

• 35 Hz high-pass filter, switchable per channel

E Series will be launched at PLASA London, this September.

Visit Lab.gruppen on Stand C14.

01.09.2011

Cadac to unveil flagship desk

Marking the British console company's third completely new console design in a year, Cadac Holdings is launching its new flagship digital live production console, the CDC Eight, at PLASA 2011.

Specified for high end sound touring and fixed installation applications, the circa £45K console boasts a "high agility" user interface, accessed via two 24 inch 16:10 high definition LCD touch screens; a further centre located 6-inch LCD touch screen accesses the system control and automation. Combined with a far less menu dependent operating system than other digital consoles, the CDC Eight is promoted as "exceptionally smart, nimble and intuitive in operation".

The CDC Eight features a high I/O count for a desk at this price point, offering 128 input channels - expandable to 256 - and a standard 48 outputs. Two frame sizes offer 16 or 32 faders. Built upon the company's latest generation proprietary DSP mix platform, processing power - as the name implies - is delivered by eight 32/40-bit floating-point SHARC processors.

A wide dynamic range, low noise mic pre-amp, specially developed ultra-low distortion EQ filters and analogue emulating compressor algorithms, 24-bit / 96kHz Delta-Sigma AD/DA converters, and advanced EQ algorithms, using proportional-Q techniques, combine "to deliver a classic 'Cadac sound' signal chain, that sonically outperforms consoles several times the price".

To be unveiled at a media launch event on the Cadac stand (1H 6), at 1pm on the opening day of the show, the CDC Eight is billed as "Cadac's killer sound touring console," by sales development manager Vincenzo Borrelli. "What really sets it apart - aside from the classic CADAC sound quality - is the user interface, which is truly of its time and totally intuitive to any audio engineer."

Simultaneously, Cadac is branding its digital product range with the common CDC prefix; thus, the DM1600, launched at Prolight+Sound this year, is renamed the CDC Four. The 'small format' digital production console shares the same proprietary DSP genealogy, and many of the same signal chain features, as its larger CDC Eight sibling.

PLASA 2011 1-H6

Sound Technology premieres flagship AKG DMS 700 V2 digital wireless system

Sound Technology will premiere AKG's new flagship DMS 700 V2 digital wireless microphone system at PLASA 2011. With 512-bit encryption, ultra-low latency and the new DPT700 bodypack, DMS700 V2 offers artists and engineers "absolute confidence in performance with a reliable, easy-to- use wireless component".

The DMS 700 V2 improves the link quality and increases the working range of the transmitters and receivers to allow for more freedom in arranging anything from lecture halls in universities to houses of worship and live performances on tour to broadcast operations, says the company.

Already compatible with the future-proof Channel 38, DMS700 v2 is now available pre-loaded with UK-specific frequency presets. In addition, DMS700 v2 is now also available with a hand-held transmitter featuring AKG's premium D7 dynamic capsule delivering open sound across all frequencies akin to a condenser mic but with the powerful resonance of a dynamic mic.

Users with the original DMS 700 wireless system can easily update their units through a software and hardware update. The free software update includes the 512- bit encryption,, AES-EBU output and 0.5ms improved latency, improved link quality and range improvements and output gain menu with a bargraph and ability to deactivate autolock.

Wolfgang Fritz, product marketing manager - tour sound, AKG comments, "The new AKG DMS 700 V2 is the next step in AKG's pursuit of the perfect, flawless audio signal transmission. It offers the audio professional ease of use, quick set-up and reliable operation in this demanding industry, even in the most challenging environments."

PLASA 2011 1-E21

Adam Hall unveils LD Premium UNO Array Series and extended Stinger Series

Making its UK début at PLASA 2011, the multi-functional LD Systems UA1 is a multiple sound solution equipped with 2 × 12" (Low/Mid) drivers plus 1.4" HF compression driver and a 10" coaxial-type speaker on the angled end of the cabinet.

The multi-angle FOH speaker system offers power handling of 950 W rms. It is suitable for use as a full-range solution for all voice and music applications in large arenas, amphitheatres, stadiums and sport halls, with eight UA1 units covering an area of 360°. In addition, the LD UNO array matches up perfectly with the V-218B 2 × 18" (1.6 kW) and VA-PS215 2 × 15" bandpass subwoofers for a more dynamic sub-bass.

The uniquely-designed cabinets are made of 18mm multiplex ply and have DuraCoat LX coating, helping them stand up to the tough daily demands of touring and live applications.

Dispersion of the main system is quoted at 70° x 45°, while the downfill covers 60° x 60°. LF power capacity is 800W continuous / 1200W peak; maximum continuous output is 130 dB SPL and peaking at 136 dB SPL. Dimensions are (W x H x D): 395 × 1440 × 457 mm.

LD Systems says "fantastic consumer feedback" has followed the relaunch of its "Powered by Eminence" Stinger Series. The range has been extended by five passive and active multifunctional loudspeakers and all models are now equipped with BMS compression drivers.

The Stinger Series has been further expanded with the LDEB212 added for high power live applications. The LD Stinger 2 x 12" is a passive bass reflex multifunctional loudspeaker equipped with 2 x 12' speaker chassis, and a 1" compression driver. The LD Stinger 2 x 12" provides 600W of power and a very high SPL of 128 dB max.

Powerful performances, easy handling and high pressure levels qualify these speakers for all types of full range applications, making them perfect for stage usage. The housing is built from high quality Birch Plywood with a highly durable textured lacquer finish and an integrated speaker stand receptacle.

PLASA 2011 1-G36

Red Square Audio launches tri-wi audio/DMX wireless system

Red Square Audio is to launch tri-wi, and audio/DMX wireless system designed to replace inconvenient, expensive and risk-prone cabling, indoors or outdoors, with a high performance wireless system that allows users to remove cable headaches without compromising signal quality.

The system permits wireless transfer of both audio and DMX signals with just one system comprising a tri-Wi Tx transmitter and tri-Wi Rx receiver. A tri-Wi Rp repeater can be added between Tx and Rx for even longer distances, while a tri-Wi Plus Pack Beam Antenna Kit is optional.

Offering "excellent audio and DMX quality", the system's headline specifications include analogue or digital audio input and/or DMX512; stereo audio transmission in CD quality 48kHz, 16bit; DMX transmission of all 512 channels at 24 frames per second; and both audio and DMX data processed without compression.

Quoted latencies are 12ms audio and 44ms DMX, independent of transmission range. Digital wireless transmission of data is within the 5GHz wave band, giving freedom from interference from Bluetooth and WLAN signals. Typical transmission distances between transmitter and receiver are >800m (Standard System) and >2.3km (PlusPack System).

Security is tap proof transmission provided by IEEE 802.11i compliant, and encryption and authentication with IEEE 802.1X.

PLASA 2011 1-L39

Outline adds to the GTO family

Outline's large-format line-source system will make its UK début at PLASA 2011. The result of a two-year cooperation between Outline and some of the world's best-known rental companies, GTO (Grand Touring Outline) has already had a highly successful start. The first systems that left the factory (summer 2010) were already sold and earmarked for immediate use on high-profile concerts and tours, initially in the USA and then Europe. Those systems, says the company, were not prototypes but standard production models.

Outline adds that currently, thanks to the evolution of a market in which loudspeakers are increasingly sturdy and efficient, "there is no doubt that almost all PAs effectively sound loud". This, says Outline, has led to exaggerated use of expressions such as 'incredible output power' by audio manufacturers - "expressions that in many cases are backed up by facts".

The company contends, however, that GTO's particular ability is to ensure intelligible output over long distances, "higher than any competitor in the market's large-format PA sector", an advantage it ascribes to Outline's D.P.R.W.G. waveguide.

However, the GTO family continues to grow. At PLASA 2011 the Italian company will unveil its GTO-DF (Down-fill). This element is mechanically compatible with GTO and conceived and designed with a sole aim: providing audio coverage for the first rows of the audience in every type of event at which GTO systems are used.

From the design point of view, the GTO-DF is eye-catching, with its aperture (120°) gradually flaring out downwards. As opposed to the GTO, which has ten loudspeakers, this element uses six: four 8-inch mid-woofers and two 3-inch compression drivers.

Outline is also active on the software front. At PLASA 2011, Outline will present an Apple iPad app - written entirely in-house - which provides control over Outline's self-powered loudspeaker enclosures. (http://itunes.apple.com/uk/app/mini-com-p-a-s-s-linearray/id435900890?mt=8).

Following in-depth research carried out in collaboration with the University of Brescia, Outline believes that "man/loudspeaker enclosure interaction can be revolutionized with software interfaces on tablet computers...therefore, no more hardware interfaces with displays, pots and buttons, but a channel to communicate with the dynamic outside world of IT. This app is not intended to be a 'marketing accessory', but an enjoyable, efficient and precise tool for the rapid easy control of Outline's self-powered systems. In short, the systems' all-round remote controller."

The app is a native iOS APP, not a Web link, and gives all-round control of, for example, the Mini-COM.P.A.S.S. systems - including the complex group management that a line-array with adjustable horizontal dispersion implies - and the brand-new iSM series of stage monitors.

PLASA 2011 1-G35

Ohrwurm Showtechnik unveils In Ear 1

With the promise that "now you can just use your guitar cable for your in-ear signals", Ohrwurm Showtechnik is launching its IN Ear 1 system at PLASA 2011.

The system consists of a 19" main station and a beltpack with a headphone amplifier. The two devices are connected with a high flexible CAT6 cable and the complete transfer of the guitar signal to the amplifier and the stereo monitor signal to the belt pack is done with this cable.

The power supply of the beltpack comes from the main station, meaning that batteries are not required. The company says that "all known problems of wireless systems are now a thing of the past".

Two stereo channels are mixed in two separate channels at the Main Station. Channel 1 is an input for microphone levels and Channel 2 is a stereo input for line levels from the monitor desk. The second channel can be switched to mono if there is no need for a stereo signal. The connectors for the guitar amp and the three-input XLR are on the rear as well, in order to keep the front clear of cables.

Claimed advantages of the In Ear 1 system include the fact that only one cable is required for the guitar signal and the stereo in-ear signal; no batteries are required in the beltpack, "helping to reduce garbage compared to other systems; a high quality headphone amplifier provides better dynamic compared to wireless solutions; no high frequency losses due to long guitar cables; no hum noise on the guitar cable due to balanced signal transmission; no interference from other wireless systems, no frequency overlap or cancellations; and a 'future proof' design that means occupied frequency areas have become irrelevant.

PLASA 2011 1-L23

Renkus-Heinz shows four at PLASA 2011

Renkus-Heinz will show its latest products at PLASA 2011 on the POLARaudio stand (1-F2) - and visitors will have an opportunity to hear the "ground-breaking" IC Live digital beam steering system live in the Technologies for Worship Pavilion, where the system will be in use for lectures throughout the day.

Heading the list on the stand is the unique IC2 (IC Squared) - the first ever high powered, medium format digitally steerable loudspeaker system. Designed for theatre and club installations and integrating digital beam steering with high power output, built in amplification and RHAON network control, it opens up, says Renkus-Heinz, "a totally new product sector in pro audio, for venues looking for the ultimate in quality and control".

IC² is designed to set a new benchmark in live sound loudspeaker design by combining the control and flexibility of Iconyx digitally steerable technology with the power and focus of a point source loudspeaker, creating the world's first 'hybrid array' with the full benefits of both technologies.

Each IC² two-way 8-inch module delivers "articulate musicality and powerful punch", with a versatile design that can be used as a stand-alone high-performance loudspeaker, a small ground stack or a flown array of up to 20 cabinets.

The new CF101-LA Modular Point Source Array, which will be flown on the stand, offers a breakthrough solution for today's small and mid-sized venues, including auditoria, night clubs, theaters and houses of worship.

The self-powered CF101-LA delivers the performance and pattern control of a line array, with the clarity of a point source system, in a compact, affordable design equally at home on the road or in a permanent installation. With the flexibility to be flown, ground-stacked or pole-mounted, up to four CF101-LA cabinets can be arrayed to provide a 90x60 degree coverage pattern, delivering up to 9 dB more output and tighter vertical pattern control than a conventional single cabinet, according to Renkus-Heinz. A non-powered version, CFX101-LA, is also available.

A full dual IC Live digital beam steering system with matching IC215S-R subwoofers, and a single cutaway IC2, give visitors a chance to see this special technology. The display will be completed by a single IC16R digitally beam steered installation loudspeaker.

Meanwhile, attendees at the Technology for Worship Pavilion lectures have the promise of hearing the presenters in crystal clarity via an IC Live system with an IC Live and matching subwoofer on either side of the stage.

PLASA 2011 1-F2

Mackie expands HD series

Mackie is to launch its new HDA High-Definition Arrayable Powered Loudspeaker at PLASA 2011, a new model in the popular HD Series. With the addition of the HDA, Mackie now offers a full range of high-definition loudspeakers including the ultra-compact HD1221, the HD1521 two-way and HD1531 three-way loudspeakers, and the 15" HD1501 and 18" HD1801 subwoofers.

Designed in collaboration with the EAW acoustical design team, the HDA is promoted as "a professional, powerful and extremely flexible compact line array". Configurable with up to four per side, the HDA can handle anything from mid-size houses of worship to large clubs in a cost-effective design.

"The HDA is another example of what Mackie does best: delivering high-end pro audio technology to the masses," said Ben Olswang, Mackie brand product manager. "Thanks to the integration of EAW's design expertise, the HDA sets an entirely new professional standard in the portable live sound market that is simply not achievable by our competitors."

Each HDA module delivers 1200W of peak system power and houses an EAW-designed 12" LF driver and dual Beyma 1.7" HF compression drivers, mounted into a multi-cell horn. HDA incorporates Mackie's high-definition digital processing, which corrects inherent sonic issues that arise with all horn-loaded drivers, resulting in unbelievably accurate sound.

With a 100x20° coverage pattern and integrated rigging hardware that allows for up to four HDAs and two Mackie HD1801 powered subwoofers per side, a fully-realized HDA rig can easily handle large audiences with the consistent, predictable coverage that only a line array can offer. A three-position voicing switch provides easy set up of larger rigs and up to two modules can be pole-mounted directly above a subwoofer, for the ultimate high-output portable PA system.

PLASA 2011 1-F4

Funktion-One tools up for new mid/high wave guides

Funktion-One says that in order to keep pace with the huge success and high demand of the recently introduced Resolution 3, it has enhanced its production with a new set of tooling for the mid high wave guides. The company says: "This new tooling created the opportunity to refine the technology, taking the product to a new level".

This has also given rise to the new stand-alone R3SH which has been used to great acclaim in venues as diverse as the National Theatre, for Danny Boyle's production of Frankenstein, and to the main room at Space Ibiza. The development further underlines Funktion One's stance that good loudspeakers are in no way genre specific and are suitable for all audio applications.

Demonstrations of Funktion-One's full range of products will be taking place throughout the show in the company's demonstration room, in the Permanent Press Office, near the Terrace Restaurant on the Mezzanine level, where for many years audio enthusiasts from around the world have joined the team for an informal and informative time, listening to both the familiar and the unfamiliar, "through crystal clear Funktion One loudspeakers and engaging in interesting audio conversation".

PLASA 2011 1-F36

LD Systems launches Maui 28 All in One Array System

LD Systems, exhibiting with distributor Adam Hall, is set to unveil its newly developed MAUI 28, a compact, active and modular "all-in-one" system. The company describes it as the perfect solution for musicians and DJs, as well as for presentations and events with sophisticated music playback. Because no cables or stands are required, this "plug-and-play" system can be quickly and easily set up and dismantled.

According to Andrew Richardson, Managing Director of Adam Hall UK, "With its outstanding features, the exciting new Maui 28 is sure to be a winning solution for all performers. It is extremely portable and given its amazing price, represents one of the most exciting products we have released to date."

Frequency-response-based 4.1 five-way amping results in a clear, dynamic and balanced sound throughout the frequency range of this system. The array configuration ensures greater coverage with well-balanced sound distribution to the farthest corners of the venue. The MAUI 28, which combines a PA and monitoring system in one, "guarantees the same sound experience for both audience and musician" - and only requires a mixer to be plugged in to be ready to go.

PLASA 2011 1-G36

InfoComm to host education sessions for live events community at PLASA 2011

InfoComm International will continue its programme of support for the UK's AV rental and staging community when it hosts a range of education sessions at PLASA 2011.

The sessions will take place at London's Earls Court on Monday 12 and Tuesday 13 September. They will be led by Andre LeJeune, CTS, InfoComm's Rental & Staging Staff Instructor, who has more than 30 years' experience of staging and presentation and has been responsible for many large-scale productions for corporate clients around the world.

Topics covered will include 'Lighting for Video in the Large Meeting Environment', 'Audio Techniques for Corporate AV Events', and 'Project Management for Stage Labour'. Each session will last 90 minutes and will earn attendees 1.5 RUs (Renewal Units) towards continued InfoComm CTS certification. All sessions are free to attend.

Chris Lavelle, InfoComm Regional Manager, UK & Ireland, comments: "While much of the focus of PLASA is on theatre and entertainment, our education sessions throw the spotlight on the equally creative - and lucrative - world of corporate meetings, launches, and similar events. Following feedback from our members, each course has been crafted to give it a distinctly European focus and flavour, and this, combined with Andre's vast global hands-on experience in this market, gives our PLASA education a unique appeal."

As in previous years, InfoComm will also have its own stand at PLASA, providing a convenient meeting-point for members and non-members alike to socialise, network and exchange ideas. The stand's location in Hall 2 is the same as in 2010.

Lavelle concludes: "The PLASA show always brings us closer to the UK's live-events community and we are looking forward to an educational, businesslike and entertaining four days at Earls Court next month."

PLASA 2011 2-Q30

Palmer/Eminence launch new guitar speaker cabinets

Palmer has launched a new range of guitar cabinets to house a variety of Eminence speaker options. The Palmer cabinets are rugged, flexible and affordable, featuring front-mounted speakers and a detachable grill. The solid workmanship on these products is guaranteed with the speaker mounting and quality check being carried out in Germany.

Andrew Richardson, the Managing Director of Adam Hall UK, says: "the Palmer custom made cabinets give the guitarist fantastic flexibility so that he or she can load them with their own choice from 10 recommended variants."

The Eminence speaker options tailor the sound of the cabinet to a variety of genres including Classic American Rock; Classic Rock tones of the 60's and 70's; Rock and Roll, Country and Blues; American Rock, Blues and Southern Rock; Classic British Rock of the 60's and 70's; Country, Jazz and Classical; and Classic British Blues, Indie and Jazz.

PLASA 2011 1-G36

LD Systems unveils USB Studio Condenser Microphone

LD Systems will launch its new D1013CUSB universal condenser microphone with USB connector at PLASA 2011. The microphone is both Windows and Mac OS X compatible, and does not require a driver.

It has, the company states, a perfect cardioid pickup pattern and a wide frequency range (30 Hz - 18,000 Hz) and so can be used for capturing the subtleties and nuances of almost any tone. The clear and natural sound of the D1013CUSB makes this microphone perfect for usage within podcast recording situations, multimedia presentations and a multitude of other scenarios.

Low inherent noise, the ability to block out background noise and a strong output level are among the features of this microphone. Andrew Richardson, Managing Director of Adam Hall UK says "The D1013CUSB is a versatile microphone that will add a new dimension to your sound. Mmany customers use a variety of platforms to record their sound and this offers the perfect solution."

PLASA 2011 1-G36

23.08.2011

New Bose solution launches at PLASA 2011

Promising "concert-quality sound with breakthrough scalability and configurability", Bose will host the official UK launch of the new Bose RoomMatch series of progressive directivity array loudspeakers and the PowerMatch PM8500 & PM8500N configurable professional power amplifiers at PLASA 2011.

Introduced to the wide acclaim of consultants and dealers in Istanbul earlier this year, these products provide sound designers with "unprecedented scalability and configurability" for venues including arenas, performing arts centres, live music venues and houses of worship. They enable concert-quality sound to be delivered more consistently and efficiently, regardless of room size, shape, or acoustic properties.

Also on show at PLASA 2011 will be updated Bose Modeler software including features for designing systems with RoomMatch array modules, and new Bose ControlSpace Designer software providing setup, control and monitor functions for the PowerMatch amplifier, while allowing it to be integrated into ControlSpace networks.

"Our engineers challenged conventional wisdom for both loudspeaker and amplifier design," said Akira Mochimaru, general manager, Bose Professional Systems Division. "The result is a new approach for the industry, one that lets sound designers and integrators meet the acoustic challenges of any fixed-installation sound system with more flexibility and far less compromise to audio performance."

RoomMatch™ modules, says the company, overcome the acoustic performance limitations of conventional line-array and point-source loudspeakers. Available in 15 different coverage patterns, they can be used alone or with other RoomMatch array modules to form Progressive Directivity Arrays - a new category of curvilinear array from Bose. They perform as a single loudspeaker to ensure optimal sound coverage for a particular listening area.

Bose RoomMatch waveguide technology directs sound more precisely, reducing unwanted wall and ceiling reflections that can degrade tonal balance. Multiple, readily available waveguide patterns allow for customized sound coverage for virtually any room.

Each loudspeaker features two new 10-inch (25.4 cm) woofers and six extended mid-range compression drivers. Together, they eliminate the need for the mid/high crossover, resulting in improved vocal clarity and intelligibility. To reduce distortion, the woofer uses a proprietary ultra-linear motor, a tapered port, and an individual acoustic enclosure, while the compression drivers have a proprietary Bridge Phase Plug to remove resonant modes, without the use of FIR filters or complex signal processing.

Sound designers can scale Sound Pressure Level (SPL) by creating a Bose Progressive Directivity Array to achieve a seamless, consistent response over nearly any vertical angle. This is accomplished with a Continuous-Arc Diffraction-Slot (CADS) manifold - a Bose invention and an industry first - that provides interference-free acoustic summation of six compression drivers, and the ability to define precise vertical coverage between 0 and 60 degrees for each RoomMatch module.

For bass augmentation below 80 Hz, the new RoomMatch RMS215 subwoofer array module is tuned to complement RoomMatch full-range loudspeakers.

Driving the new system is the PowerMatch 8500 Configurable Professional Power Amplifier. Designed to work with both RoomMatch array modules and other professional loudspeakers, its 4000W rated power can be allocated to between two and eight channels. It provides an unprecedented combination of audio performance and flexible output - all from a standard thee pin wall outlet.

A dual feedback loop architecture continuously monitors and controls the current and voltage to help prevent circuits from being overdrawn. It also combines the sound quality and reliability of the best Class-AB designs with Class-D efficiency.

The Bose PeakBank power supply incorporates proprietary regenerative four-quadrant design with fast-tracking Power Factor Correction (PFC). It offers higher power and higher efficiency over standard PFC, and improves peak bursts for superior transient response and low-frequency performance. Bass transient response is further enhanced with Bose switching technology that delivers high levels of continuous output for longer durations.

Most sound system applications require several output power levels, involving different amplifier types. Through new QuadBridge technology, the PowerMatch amplifier provides a level of flexibility only available from Bose. It's configurable in single, bridge, or QuadBridge modes, and maintains consistent tonal balance regardless of the output level. Configurations are selected via software and include 8x500W, 4x1000W, 2x2000W, or mixed combinations. Bridge or QuadBridge modes can drive either low-impedance or 70V/100V loads.

Completing the new system is the Installation and Integrated Rigging Structure, allowing RoomMatch array modules to be rigged using the handles provided, and secured with no adjustment to the array's curvature required. An integrated side-plate rigging structure eliminates the need for custom rigging, reducing installation time and costs.

All RoomMatch and PowerMatch products, and compatible versions of Modeler and ControlSpace Designer software, will be available through authorised Bose dealers beginning September, 2011. More information: pro.Bose.com.

PLASA 2011: 1-G32

Duran Audio gets flexible with new AXYS loudspeakers

Flexible loudspeakers? What else would you expect from the company that pioneered electronically steerable arrays; Duran Audio is a company that never stops thinking.

The latest loudspeaker products from the AXYS R&D lab are the Flex U-12G2, U-14G2 and UFM-265. But why flexible, are Duran making arrays that you can bend now? Not yet, but who knows what the future holds; these new products are the latest generation of the companies highly successful Flex range. Flexible because of the amount of applications that these units can be used for, they are ideal for use in Theatre as: front fills, under balcony fills, surround loudspeakers and monitors whilst equally useful in the AV/Corporate world for boardrooms & presentation audio and are an ideal choice for small bars and clubs. Being all things to all market segments doesn't mean that the sound of the units is compromised though, as the company says the units remain true to Duran's philosophy of "Total Transparency" and the U-12, U-14 and UFM-265, it adds, sound more like a touring ready studio monitors than a contractor product.

Both the U-12 and U-14 as well as the UFM-265 are fitted with built in amplification and a powerful DSP and are network ready so the units can be easily controlled and configured from the AXYS WinControl software. The U-12 consists of a 6.5" driver and a soft dome tweeter while the U-14 and UFM-265 boasts an additional 6.5" driver. Despite their compact dimensions though, these boxes are designed to pack a punch and have an significant amount of low end for an enclosure of their size.

PLASA 2011 1-G4

Association of Sound Designers set to launch

A new trade body, the Association of Sound Designers (ASD) will be launched at PLASA 2011.

For the last 18 months a group of sound designers have been working to create a new professional association with a series of meetings to discuss what the association should do and how it should work. The meetings were held at the National Theatre, the Royal Court and the Royal Exchange with attendance from over 60 of the country's leading sound designers as well as representatives from hire companies including Autograph, Blitz, Mac Sound and Orbital; manufacturers including d&b audiotechnik and Duran Audio; and educational institutes such as the Central School of Speech and Drama.

Gareth Fry, chair of the newly-elected Board of Trustees of the ASD, said that "the meetings were a great opportunity for a lot of sound designers to meet up, some for the first time, and discuss relevant issues such as emerging technologies, peer and public education, parity of pay and how to raise the profile of the role of the sound designer in the eyes of the industry and amongst the public."

Interest in the association has grown rapidly, with the website receiving over 4,500 hits and the mailing list growing to over 150 subscribers in the last 6 months. The Association of Sound Designers will officially launch at the PLASA Show on 11 September 2011 in Earls Court 1.

The Association of Sound Designers will be offering a range of membership categories to include everyone working in the UK theatre sound industry, whether as a sound designer or not, as well as categories for students, businesses and other organizations.

Its web address is www.associationofsounddesigners.com.

PLASA 2011 1-J38

Amptown Cases launches Midas Venice F Series SiP flightcases

PLASA 2011 will see the launch of Amptown Cases' brand new Midas Venice F Series SiP Flightcases.

The Midas Venice F Series consoles are the first of the company's products to benefit from the advantage of the SiP technology. The usual rigid foam and rubber covered rear support has been replaced by a one-piece SiP insert. The robust rubber surface and soft core of the SiP inserts guarantees a long life and the best protection for the Midas consoles.

Amptown cases developed the first SiP (Super Impact protection) insert in 1998, initially as the best protection for moving heads, mixing desks, LCD screens and Plasma displays. A soft core and almost incorruptible surface guarantees perfect shock absorption.

PLASA 2011 2-R14

Emulator DJ technology launches at PLASA 2011

Emulator, the next generation of DJ performance technology that was first showcased at London's Ministry of Sound this summer, will be officially launched at PLASA 2011. This revolutionary piece of technology for DJs combines midi-based software with touch-screen hardware to deliver what the company describes as "stunning results".

Emulator is the world's first and only fully customisable, multi-touch system for professional DJs and music producers. Using a state-of-the-art dual view multi-touch system, Emulator's large-scale interface allows the DJ to become part of the light show as the crowd witnesses their every move, giving the performer a new and exciting way to communicate with the audience.

The official launch of Emulator was organised in partnership with Ministry of Sound as part of the 20:20 project, celebrating the iconic brand's 20th year in the industry. The showcase was hosted by international DJ, producer and owner of Systematic Recordings Marc Romboy, with the night at Ministry being the first in a string of exclusive Emulator European tour dates.

Smithson Martin, creator of Emulator, is a software development company with a focus on DJ technology, and this is their flagship development. The launch at PLASA 2011 by UK distributor Emulator UK - run by award winning leisure designers GMP Design associates - will feature Emulator in 32", 42" and 46" hardware versions. Web: www.emulatordj.co.uk.

To watch a video featuring Emulator click here

PLASA 2011 1-K39

16.08.2011

RCF adds digitally steerable array

One of the latest additions to the TT+ High Definition Touring and Theatre range from RCF is the new TTL11A digitally steerable array. With the addition of the new TTS26-A subwoofer, the new column array becomes a powerful, compact and high definition live sound system, says the company.

The TTL11A is an active column speaker array system composed by two modules, one for the mid-high and one for the bass frequencies.

The TTL11A-H is the HF module and is equipped with four 2.5" neodymium compression drivers with 1.5" exit throat. The TTL11A-B is the bass frequency section of the system and features four 8" neodymium woofers with 2.5" voice coil for a perfect and powerful mid-bass response.

A powerful 96 kHz, 32 bit DSP integrated in the TTL11A-H module provides the signal processing also for the TTL11A-B. 2000 W digital amplifiers power both the modules that compose the system.

The TTL11A features eight possible splay digital angles, from 0° to 7° with 1° step increment to direct the sound beam with the maximum accuracy.

The compact multi-way constant directivity horn is equipped with four 2.5" titanium compression drivers and delivers an incredible output with a perfect pattern control.

TTL11A-H and TTL11A-B are equipped with heavy-duty multi-functional top and bottom quick lock mechanics to provide a perfect stability during live events or easy assembling for permanent installation.

The TTS26-A is a 3400 W very compact subwoofer designed for a variety of professional fixed or portable sound applications. It is the perfect complement the TTL11A column array system.

PLASA 2011 ISCE 2 / ISCE3

d&b seminars with Technologies for Worship

This year, Oran Burns and Steve Jones from d&b audiotechnik's Education and Application Support team will present two one hour seminars at the Technologies for Worship Pavilion, Stand 2-M10, Earls Court 2.

Oran Burns will present Can you hear me at the back? on Monday 12 September at 3pm. How do you get the sound you've lovingly nurtured through the console to every member of the congregation? He will take a look at the acoustic signal path from loudspeaker to the listener's ear, considering what part the room plays and how to minimize its potentially detrimental effect .

Steve Jones will present Theatre sound source, a virtual shoot out on Tuesday 13 September at 11am. As a theatre sound professional, what do you want your audience to perceive and what characteristics does your sound system need to achieve that goal? By taking a close look at the anatomy of both line array and point source systems, we will discover their respective strengths and weaknesses to reveal exactly what kind of tool each is.

Registration is not needed for the Technologies for Worship seminars so please feel free to visit on the day. For more information on the PLASA seminar program please visit the web address below.

www.plasashow.com/education/

PLASA 2011 2-M10

Line 6 extends wireless family

Line 6 returns to the PLASA Show to showcase its new XD-V digital wireless microphone systems, further demonstrating the company's commitment to serving the professional audio industry.

Exhibiting on stand 1-J12, Line 6 will be showcasing the expansion of the microphone family, which now includes two new models, XD-V30HS and XD-V70HS headset microphone systems. These augment the award-winning XD-V30 and XD-V70 handheld and lavalier systems.

XD-V70HS digital wireless system consists of a lightweight, discreet and fully adjustable headset with an omni-directional condenser microphone.

XD-V30HS digital wireless system features a robust uni-directional condenser microphone attached to a durable headset, which is ideal for fitness instructors, business presentations and environments with high levels of ambient noise.

As the switchover to channel 38 fast approaches, Line 6 offers a clear path to license-free wireless usage. Operating in the 2.4 GHz band, the company's Proprietary Data Placement (PDP) technology ensures 12 co-located channels of full-bandwidth, uncompressed audio transmission.

PLASA 2011 1-J12

Allen & Heath focus on iLive

British mixer manufacturer Allen & Heath, will be exhibiting on stand 1-E9 at the forthcoming PLASA show in London.

The company will be showing various control surface and MixRack components from its iLive digital mixing family, as well as the range of audio networking possibilities such as MADI and Dante, and additional control options including the Allen & Heath PL Series remote controllers, iLive Editor software, iLive Tweak app for iPhone and the MixPad app for iPad.

Also on display will be models from the Xone DJ range - including the Xone:PB patchbay, Xone:S2 installation mixer and Xone:DB4 FX mixer - as well as the ZED USB compact mixers and GS-R24 recording mixer.

PLASA 2011 1-E9

Batmink to debut new product range

Batmink Distribution, one of the largest UK distributors of professional audio, lighting and effects equipment, will introduce a number of new products at PLASA 2011. New brands on show include Visage Lighting, Vector Audio, Pro-Flite Flightcases, Pro-Stage Portable Staging and Lumaform LED Illuminated Furniture.

Of particular interest is the Visage LED Multipar RGBAW - a new PAR unit that delivers a truly impressive light output from 18 x 8w LEDs. 12 x RGBW and 6 x RGBA 4 in 1 LEDs produce full spectrum colour mixing and control is achieved through DMX, auto programs, sound to light or master slave functions. The black multipar housing is more robust than conventional PARcan bodies and completes this tough, powerful unit.

Another brand making its PLASA debut is Lumaform. Offering a range of LED illuminated furniture in a variety of styles; Lumaform is at the cutting edge of this exciting new market. Utilising LED RGB colour changing technology and constructed of tough polyethylene, the units are suitable for indoor and outdoor use. Perfect for event hire, production, installation and even domestic use; Lumaform LED furniture is sure to make an impression.

Batmink Distribution MD David Churches comments: "As a wholesale distributor we are always looking for new and exciting product lines that deliver the quality our customers demand whilst representing excellent value for money. At this year's show we have tried to cover all the bases - introducing new brands that represent sound, lighting, effects, hardware - even LED furniture! We already distribute brands from all of the leading manufacturers and products that cover all aspects of the industry, so these new brands slot nicely into our portfolio."

PLASA 2011 1-E4

11.08.2011

Out Board preview iPad and iPhone apps for TiMiax2 Soundhub

Out Board will preview iPad and iPhone apps developed to control the TiMax2 SoundHub mix matrix, playback server and audio show control matrix. Simple factory-default setups are user-configurable, and a custom programming service provides bespoke GUIs specifically tailored to individual systems and sound effects control projects.

Also on demonstration will be the new S-Version software features for the TiMax2 SoundHub - the PanSpace effects map and TimeLine Editor for in-depth sound-effects programming, featuring multi-channel waveform-based editing, looping, panning, volume profiling and versatile show control trigger management. TiMax2 SoundHub is a scaleable mix-engine, sound effects playback server and delay-matrix platform which offers up to 64 channels of analogue or AES I/O - with MADI, Ethersound, CobraNet and Dante networking options - in a single compact 2U chassis.

It will be joined at PLASA 2011 by what the company calls the "revolutionary" UWB TiMax Tracker performer tracking radar system, which follows actors or presenters onstage to make radio-mic audio or sound effects continuously localise to their position in 3D space.

In conjunction with software associates Data Strategy Ltd, Out Board will also launch the all-new re-vamped line of PAT-4 Test Processors for portable appliance test, cable test and RCD test, in conjunction with the PATData multi-client database logging software. PAT-4 comes in Single-Phase and 3-Phase versions at 16A and 32A variants, with add-on CAB-5 modules for power cable test up to 30 cores and RCD-T for RCD tests on equipment racks and distros.

Finally, the industry-standard workhorse LV-Series and DV-Series Motor Controllers for demanding touring and installation rigging applications will also be on show.

PLASA 2011 1-H9

Rose Bruford shows new programmes to train designers and technologists

Rose Bruford College will be featuring its two innovative new programmes in Performance Sound and Creative Lighting Control. These three-year BA programmes are unique in Higher Education, and with two year's of graduates working in the industry, says the college, they are already making their mark.

BA (Hons) Performance Sound reflects the growing importance of sound in every field of performance - from theatre to music concerts, from sports events to dance, and from site-specific installation to radio drama. The programme combines sound design, technology and operation, with a strong emphasis on live production, and has recently attracted the support of key players in the audio industry, including sponsorship by Harman Pro Group UK in the shape of a Soundcraft VI-1 digital mixer.

BA (Hons) Creative Lighting Control has been created in response to rapidly growing industry demand for specialist lighting and video programmers and technicians who are at ease with technology and who also possess the creativity needed to stage high quality live events. The course includes programming for lighting and video, production design, video content creation, lighting system design and pre-visualisation, and is delivered in close cooperation with a wide range of industry partners who teach specialist skills and provide placements.

These two specialist courses are part of a suite of seven degree programmes in the School of Design, Management and Technical Arts at Rose Bruford College, covering all aspects of design and production for theatre and performance. As well as degree programmes the college can run bespoke staff training courses, as well as finding first rate graduates for employers. The college's team will be on hand at PLASA to discuss how education and industry can work together in develop a company's business.

PLASA 2011 2-Q37

01.08.2011

FBT shows EvoMaxX and SUBLine

Making their PLASA Show début, FBT's EvoMaxX speakers feature new neodymium woofers, more powerful Class-D amplifiers with switch mode power supply, and a digital signal processor with four presets to provide quick equalisation contours.

Claiming "amazing value for money" for the product, FBT says the EvoMaxX's polypropylene cabinets feature a monitor taper design to suit them to front of house for a main sound system, as stage floor monitors or within permanent installations.

The series consists of four powered and three passive models which vary in woofer size but all feature a 1-inch B&C HF driver, apart from the EvoMaxX 9Sa powered 15-inch subwoofer.

The cabinets feature Class-D 400W LF and 100W HF power amplifiers with switch mode power supplies in a lightweight design with passively cooled circuitry. The filter algorithms include dynamic equalisation at low frequencies and advanced energy control which, according to the manufacturer, "allows high SPL while granting reliable and distortion-free audio reproduction". The digital limiter algorithms and increased amplifier power output are also designed to increase total SPL.

For the manufacturer, the major highlight is the new DSP which includes four factory presets to help the EvoMaxX range to accommodate a variety of applications. The presets include 'Original', which corresponds to the typical 'MaxX' sound for use in general applications; 'Floor' for use as a stage monitor; 'Vocal', which provides increased intelligibility for vocals and speech; and 'Warm' which reportedly gives a full-bodied response to the low-mid frequencies while treating high frequencies less aggressively.

The new SUBLine series, consisting at launch time of the compact SUBLine 15Sa 600W active band-pass subwoofer system, and the more powerful SUBLine 1200W active bass reflex subwoofer system.

Both come equipped with Class-D amplifiers with switch mode power supply, the SUBLine include digital signal processor with four presets, LPF crossover settings, delay lines, stereo XLR in/out, 0-180° phase reverse switch. Cabinet construction features Baltic birch plywood.

PLASA 2011 1-E2

LD Systems reveals DAVE8XS Powered Multimedia System

LD Systems will be showcasing its new Dave8XS at PLASA 2011. Available in either black or white, this portable multimedia system is equipped with a 150W RMS 8" band pass subwoofer and two 100W 4" satellites.

The system is designed for use in a variety of multimedia applications including home recording, studio monitoring, PC speaker setup and small public facilities such as pubs. The A/B class amplification module integrated in the subwoofer delivers a high output that powers both the sub and satellites.

An integrated limiter keeps the system safe from overloading and will guarantee a long operational lifespan. Situated on the side of the sub is an On/Off switch, a 180° phase reverse and a separate subwoofer volume knob, allowing the user to find an optimum sound balance. The satellites feature a mic stand flange allowing a quick installation and configuration of your system.

Features include maximum SPL of 117 dB, balanced Inputs, integrated amplification module, phase reverse, subwoofer volume control, recessed thread for wall mounting, 3/8" microphone stand adapter, and optional front cover and wall mount brackets.

PLASA 2011 1-G36

DYMO has patch panels labelled

DYMO will show the latest in its Rhino industrial range of handheld labelling machines at PLASA 2011. Designed specifically for every application in datacom, IT, pro AV and other industrial environments, the labelling tools' features include hot key technology to make the job both fast and easy.

The company cites benefits including performing labelling jobs with 77% fewer keystrokes than the competition, hot keys to eliminate guesswork, quick formatting of common labels, a pre-programmed library of terms and symbols, memory storage for up to 1,000 custom labels, quality craftsmanship and integrated shock bumpers, and customizability for adding graphics and logos to labels.

The labels are also designed withstand moisture, heat, solvents, oil, dirt, chemicals and UV rays without smearing, fading or peeling, and the machines feature lithium-ion rechargeable batteries for fast charging and no need to replace batteries.

Models on show include the RHINO 5200, a portable, affordable label printer for datacom, electrical, audio/visual, security, MRO, construction and broadcast professionals, with a hot key to format text into perfect patch panel labels, another to print matching cable flags or face plate tags, wire wraps, terminal/110 block labels, barcodes and more. The RHINO 6000 adds more features including the ability to use Windows-based Rhino Connect software to create labels on a computer and download them to the labeller for even faster labeling on site.

PLASA 2011 1-L35

EAW to unveil new MicroWedge models

EAW will be showing its new additions to the MicroWedge series of stage monitors at PLASA 2011. The MicroWedge8 (MW8) and MicroWedge10 (MW10) are a small-format continuation of the MW line. Although even smaller than the compact MW12 and MW15, EAW says the MW8 and MW10 offer volume levels and voicing that rival full-size industry-standard 12-inch and 15-inch monitors.

The MW8 and MW10 are suitable for mid-to-high-volume rock/alternative performers, houses of worship, theatres, edge of stage-fills, corporate shows/events and presenters. They are also designed for front-of-house or monitor engineers looking for a live monitoring option on the console meter bridge.

The MW8 is the smallest in the MW line of products, featuring an 8-inch woofer, while the MW10 features a 10-inch woofer. Both units' coaxial designs pair the respective woofers with a 3-in (diaphragm) coaxially-mounted HF compression driver, providing full yet controlled 90-degree horizontal dispersion.

Dave Rat, owner of Rat Sound, and co-developer of the MicroWedge Series with EAW, comments: "The design philosophy of the MicroWedge Series is to be able to exceed the competition in loudness with feedback stability, clarity and maximum volume. The MicroWedge12 can match or beat just about any other 15-inch-based wedges on the market in feedback stability and even low-frequency output, and the MicroWedge15 pushes things up another whole level."

Jeff Rocha, EAW senior director of engineering, adds: "Our new MicroWedge 8 and 10 are a direct result of feedback from our key end users in the market. We wanted to create smaller versions of our MW12 and MW15 with the same voicing and relative power, without sacrificing any of the performance features that make those larger boxes so successful."

PLASA 2011 1-F4

APart Audio launches OVO and more

Belgian manufacturer APart Audio is to give several new products their UK début at PLASA 2011. The new lineup is headed by the OVO cabinet speaker series that, says the company, combines budget with quality sound. Available in low impedance as well as 100 Volts, and ready to fit in any décor or interior style, OVO can be used in covered outdoor applications and exists in three sizes : three, five and eight inch.

Also new is the MA247 100V mixing amp, which replaces the MA246 and adds 24V dedicated priority output per zone and folder selectable MP3 playback.

CMAR is a new range of three low-impedance in-wall/in-ceiling marine speakers, designed especially for use in the most humid and hot conditions including yachts and saunas.

CHAMP-3D remains the flagship of the 2011 line up. The three-channel fully programmable digital amplifier adds a built-in DSP, fully parametric 4-band equalizer and RS-232 control of all essential functions to the features of the other models in the series of convection cooled amplifiers.

CMAR speakers and MA247 will ship from the second half of August 2011 and the OVO range will be available in the second half of September.

PLASA 2011 1-F6

21.07.2011

Audac launches SP Series sound projector

Adam Hall is to launch a new model within the Audac SP Series, the SP20HA, a version specifically designed for hanging. The SP Series are high efficiency sound projectors designed to provide good speech intelligibility and background music in a wide variety of applications. Weatherproof to IP56 for indoor and outdoor use, they are, the company says, perfectly suited for use in large 100 V broadcast systems such as train stations or airports. The enclosure is made of white weatherproof ABS with a white weatherproof coated aluminium front grill.

The SP20 is a humidity-proof 20W sound projector designed to ensure clear, powerful sound reproduction, making it suitable for speech and music. It is fitted with a 4" broadband loudspeaker, and power is adjustable via the integrated 100 V line transformer with four power taps for 20W, 10W, 5W and 2.5W.

Maximum power is 40W (20W RMS), with sensitivity (1 W / 1 m) of 92 dB and maximum SPL of 105 dB. The unit measures 138 x 204 mm and is available in two versions, with either a stainless steel mounting bracket or a standard attached connection cable with steel core, meeting the safety requirements for ceiling mounting.

PLASA 2011 1-G36

Granite Sound launches GS-SLV and GS-STB1

Granite Sound will unveil two new series of intercom products at PLASA 2011 - the GS-SLVB and GS-SLVC beltpack product sleeves, and GS-STB1 range of in-line strobe lights for intercom systems.

The GS-SLVB (black) and GS-SLVC (clear) sleeves are designed to enhance all Granite Sound beltpack-style products. A simple-to-fit silicone sleeve with rubber corner points protects against accidental and transit damage, providing extended product longevity to the complete Granite Sound beltpack range.

Suitable for the GS-CBP1 and GS-SC2 single channel beltpacks, the GS-DC2 dual channel beltpack, the GS-SB3 and GS-SB4 splitter boxes and the new GS-STB1 in-line strobe light, the sleeve design ensures that any of these products manufactured within the last 25 years by Metroaudio, Stonewood Audio or Granite Sound can be protected by this style of sleeve.

The GS-STB1 series of in-line strobe lights is available in amber, green, blue, white or red and is compatible with any Granite Sound intercom system. When a call signal is sensed, the unit produces a high power light from its top-mounted strobe plus a more direct, focused light from a bright LED on the front. The all-steel enclosed, beltpack-style chassis provides protection for the LED to reduce the risk of accidental damage.

The unit can be connected at any point in the line with female and male XLRs on the rear to allow daisy-chained communication. A rear switch selects strobe, LED or both.

PLASA 2011 1-K23

JBL Professional débuts Marquis Dance Club Series loudspeakers

PLASA 2011 will see a landmark product introduction for Harman's JBL Professional with the début of its Marquis Dance Club Series loudspeakers: eight models designed to bring what the company says is a "new level of sonic excellence" to dance club environments. The JBL Marquis Dance Club Series incorporates new driver configurations and enclosure designs to deliver immersive sound with "exceptional clarity and fidelity, even at higher volume levels".

"JBL began offering loudspeakers for club use back in the 1970s, and JBL products helped define club sound when the industry was just beginning," says Jon Sager, Senior Manager, Installed Sound, JBL Professional. "The JBL Marquis Dance Club Series continues this heritage of innovation with a range of purpose-designed loudspeakers that brings high-impact sound to club goers who want to feel and hear all the excitement of the music."

Models in the series include the following the MD1 ultrahigh-frequency module; the MD2 horn-loaded 8-inch mid-high-frequency module and the MD3 horn-loaded low-frequency module.

Full-range systems also being launched are the MD46 4-way quad-amplified system with dual 15" woofers, CMCD-82H mid-frequency driver, 2432H compression driver and two ST400 super tweeters, the MD49 4-way quad-amplified system, the MD52 2-way full-range system with a 12-inch 262H Differential Drive woofer and 2408H-1 compression driver on a 90 x 50-degree Progressive Transition horn, and the MD55 2-way full-range system with a 15" woofer.

Completing the system is the MD7 subwoofer with dual 18" 2269H Differential Drive subwoofers with four-inch, dual-voice-coil, dual-gap vented gap cooling drivers.

The MD1, MD2, MD3 and MD7 ultra-high, mid-high-frequency, low-frequency and subwoofer modules can be combined to create a complete 5-way loudspeaker system, while the Marquis Dance Club Series MD46, MD49, MD52 and MD55 are standalone, full-range loudspeakers that can be used in a variety of room sizes and applications.

PLASA 2011 1-E21

Sommer Cable gets connected at PLASA 2011

Sommer Cable is set to introduce a range of cable and connectors at PLASA 2011. Heading the list is the Semicolon 4 AES/EBU and DMX patch / microphone cable, a studio-oriented 4-wire miniature microphone cable with a diameter of just 5.8 mm which, says Sommer Cable, "can do almost everything the big ones can". It has dual shielding and may be cross wired for audio purposes, and the company says its performance makes it an ideal AES/EBU or DMX cable. Its small diameter allows it to fit miniature connectors such as 3.5mm mini jacks, mini XLR or phono/RCA plugs.

The Tricone XXL cable and connector is a rugged, flexible guitar, instrument and patch cable with capacitance optimised for loss-free treble reproduction over long distances. The matching Tricone XXL jack plug allows solder / gas free connection for low and constant transfer resistance values, while the dual hexagonal crimping will take high tensile forces of up to 230 Newtons.

Also on show will be the new CAT.7 PUR XL 10 Gbit cable, designed for optimal transmission properties over long distances. The SC-Mercator CAT.7 PUR XL has a large wire cross-section plus a high-quality foam/skin PE wire insulation and 100% shielding provided by a CU mesh screen and AL/PT foil-screened wire pairs. Designed for the safe data transfer of Ethersound, digital audio or network signals in mobile use, it's capable of long transmission paths in outdoor applications, and the special full-metal RJ45 connector is also available with a tread-resistant protective sleeve in an XLR design.

Finally, Sommer Cable's quad fibre system for HD transmissions now also delivers LWL solutions through its proprietary HICON roadproof Hi-Fiber Connection System, based on four LC fibre optic lines protected by a rugged, compact metal housing. It consists of a cable plug and a panel jack in the compact D-flange format, which may also be used as a universal cable connector socket for extending and cascading purposes.

PLASA 2011 1-K36

LD-Systems hails 'next generation' in-ear monitoring

Introduced earlier this year, LD-Systems claims record sales for the MEI-1000, its new generation of in-ear monitoring. The MEI-1000, like its predecessor, the MEI-100, features 160 Channels in the UHF Band and can be purchased in different frequency groups within the range of 790-814MHz. In stereo mode, the two input signals can be heard both left and right through the receiver, allowing the balance between them to be adjusted.

In double mono mode, both input signals are mixed, heard centrally and balanced through the receiver, allowing musicians to alter the mixing level between instruments using an additional aux send.

Stated features include selectable focus, stereo mode or mono mode; improved crosstalk; clear, dynamic sound, long battery runtime, equaliser and limiter function; 160 UHF channels; ergonomic earphones including gig bag, multifunction receiver display; menu lock function and 19" rack mount kit.

PLASA 2011 1-G36

Neutrik unveils NP2XL and NP2RX-TIMBRE

Neutrik is to launch two new products at PLASA 2011 - the NP2XL jumboPLUG and NP2RX-Timbre.

The company has extended its jack plug range to include a large 1/4'' Jumbo plug, the NP2XL, which features a turned one-piece tip connection as used in all Neutrik plugs to eliminate any possibility of noise found with riveted connections.

Designed for thick professional instrument cables up to 10mm wide, it features an ergonomic barrel and incorporates the features and benefits of the standard PX range, which include a robust, diecast shell, a proven chuck-type strain relief for reliable cable retention, ergonomic design for handling convenience and precision machined one-piece contacts.

Hailing the concept 'as brilliant as it is simple', Neutrik's new NP2RX-Timbre jack plug allows a guitarist to change the timbre of a guitar sound from neutral, clear sound to warm characteristics in four steps by turning a knob on the plug.

The design, says Neutrik, exploits the fact that the characteristic sound of a guitar is influenced to a certain extent by the instrument cable, in particular the natural electrical property of guitar cables.

PLASA 2011 1-H18