16-18 September 2018
London Olympia, National Hall

Plasa 2018

Exhibitor Products

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Dalis 864 4-Colour Footlight

Robert Juliat K40

Dalis 864 Footlight is a new, 150W colour variation of the original Dalis 862 tuneable white footlight, designed for the creation of colourful upstage or downstage lighting.

Featuring a four-colour mixing system, Dalis 864 Footlight incorporates 48 patented asymmetric reflectors arranged in a double row. Each row can be controlled independently to give a footlight with both long or short throw capabilities for the creation of upstage or downstage lighting.

The Footlight batten is black and inconspicuous from the audience viewpoint to ensure it does not impinge on the stage layout in any way. All controls and connections are located under the unit to maintain clean sight lines.

Each Dalis unit also integrates four small, discreet red and blue ‘mark’ LEDs, each of which are independently controlled. They can be used as position markers or cue lights for the performers on stage, and also as safety indicators to mark the edge of the stage.

DALIS 864 fundamental qualities for a footlight are the ability to carefully manage upstage and downstage lighting and to produce an excellent quality of white light. Dalis 864 is unique in meeting all of these requirements in a stylish, low-profile unit that is equally at home in entertainment, exhibition and retail environments.

 

  • 150W LED batten
  • 4-colour mixing system (Red – Green – Royal Blue – Warm White 2200K)
  • Extruded aluminium housing
  • Two rows of micro-optical asymmetric reflectors (for downstage and upstage lighting)
  • 1-meter length
  • Fanless system
  • Flicker-free
  • Power and data daisy chain
  • Compatible with DMX/ RDM / Art-Net / sACN
  • System setup locally and remotely by RDM – integrated display
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Exhibitors

187

Seminars

48

Speakers

58

Days

3

Our Sponsors


 

Audio

Audio

Audio

AV

AV

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Lighting

Lighting

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Stage Technology

Stage Technology

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Rigging

Rigging

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Testimonials

  • It was a really impressive show. Every time I looked there were lots of conversations going on around the show floor. I think every exhibitor should be happy. It was magic!
    Mick Hannaford
    Robe
  • We rate PLASA as one of the best shows in the world. We’ve had a really successful event, meeting our European clients and securing new overseas contacts as well as visitors from closer to home.
    Gary Fails
    City Theatrical
  • The show was incredibly busy, I didn’t have a moment of quiet time. I’ve seen more international visitors here this year which is great. I love it!
    Darren Beckley
    ETC Ltd
  • We’ve been exhibiting at PLASA for around 10 years and show both competing and complementary technologies, allowing our customers to see the differences between them. No one feels they’re getting the hard sell, it works very well.
    John Penn
    SSE Audio
  • We were delighted that 80% of our European distribution network came to the show, and we had visitors from Korea, Hong Kong and the US. The stand was really busy and we’ve thoroughly enjoyed the show.
    Matthew Lloyd
    GDS
  • This year’s PLASA show was one of the busiest ever, and in my opinion, it was also one of the best we’ve exhibited at. All in all, it was a very positive show for us and our suppliers.
    Jonathan Walters
    A.C. Entertainment Technologies
  • The show was genuinely good and there was a buzz. We certainly had a crowded stand and we hope the successful launching of new products brings the results we want. May PLASA continue for many more years.
    Cliff Dounting
    Chauvet
  • I am a big fan of PLASA London since the move and believe that the PLASA team have totally re-invigorated the show and established it as the product show in the UK, where the UK market turn to look at new products.
    Ben Noble
    Push the Button